Hi, I’m Marian Pramberger, an Art Director & Designer.

I love doing the following things: Motion, Graphic & Sound.

Synthetic Fossils

Visual thought experiment on how generations might study prior civilizations’ physical and digital evidence

IBM Think Conference 2019

IBM’s flagship business and technology conference

Warp Classics

Visual essay on classic car photography

Flow Gestures

Personal artwork, exploration of form, color and materiality – Autumn 2021

This is a selection of some of my favorite commissioned projects & personal artworks that I worked on in the last years.

IBM Think Conference 2020

Sound-driven Visual Identity

Badlands

Remix collaboration project with photographer Ben Sandler

About

Contact

For any inquiries, artwork licensing, details about existing work or discussing new projects, feel free to get in touch with me:

hello@marianpramberger.com

Studios I worked with.

BUCK, fakenew Studio, Field.io, f°am Studio, Frame, Los York, Tendril, Zeitguised, and others.

Absolute, Apple, Chanel, Covestro, Dior, Hennessy, IBM, Lacoste, Lexus, MTV, Marni, Oppo, Samsung, Sonos, Swarovski, Visa, Wired, and others.

Experience

Nov 2022 until present:

  • Senior Digital Artist at Apple.

Oct 2017 until Nov 2022:

  • Remote freelance work for various studios and clients all over the world. Based in Boston, MA.
  • Founder/creative @fakenewStudio
  • 2020, 2021, 2022. PRO Unlimited, Digital Artist on assignment at Apple.

Mar 2012 – Oct 2017:

  • Senior Designer at Zeitguised/foam Studio in Berlin, Germany.

Feb 2011 – Jul 2011:

  • Internship & Freelance work for Frame.dk in Copenhagen, Denmark.

Jan 2008 – Feb 2012:

  • Bachelor of Arts in Information Design.
  • University of Applied Sciences Fh-Joanneum Graz, department of Information Design in Graz, Austria.

Social

Instagram

LinkedIn

Behance

Tools

I mainly use Houdini FX, Cinema 4D, Redshift, Octane, After Effects, Ableton and more.

Other

Find my 3D models on Turbosquid

All I have produced before the age of seventy is not worth taking into account. At seventy-three I have learned a little about the real structure of nature, of animals, plants, trees, birds, fishes and insects. In consequence when I am eighty, I shall have made still more progress. At ninety I shall penetrate the mystery of things; at one hundred I shall certainly have reached a marvelous stage; and when I am a hundred and ten, everything I do, be it a dot or a line, will be alive. I beg those who live as long as I to see if I do not keep my word. Written at the age of seventy five by me, once Hokusai, today Gwakyo Rojin, the old man mad about drawing

— Hokusai